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In today’s response, I’d like you to reflect on some

  In today’s response, I’d like you to reflect on some of the apparent contradictions of the South African national anthem, “Nkosi Sikelel ‘iAfrika.” How can a song written in the style of European missionary hymns have become such a powerful symbol of the struggle for liberation? Why do you think its composer, Enoch Sontonga, would have used European four-part harmony in his song, instead of a more distinctively South African musical style? And why was such an “unthreatening prayer,” in the words of historian Duma Ka Ndlovu, then banned by the Apartheid regime? 

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